A couple of weeks ago, as we were finishing up discussing Song of Myself, we created a list of what we imagined the self was in the poem. This was also a discussion of how Whitman was portrayed in the poem. In the later class, this is the list we created:
- Walt Whitman
- A Kosmos
- A translator
- A witness
- A representative
- A profit
- The body as part of the self
- Collective
- Arrogant
- Egotistical
- Fluid/multiple/changing
- Powerful
- Divine
- Nature
- A friend
- Teacher
- Something to be celebrated
- Everlasting or outlasting or eternal
- A seen/unseen guide
- Physical
- Blunt
- Oracle (for those who cannot speak)
- Empathetic
Now that we have read Calamus, part of Children of Adam, Drum-Taps, and several of Whitman’s other poems and descriptions of the war, what would you add or remove from this list? (If you were in the earlier class, feel free to add any descriptions that you came up with during that class that are not labeled here.) With each addition or subtraction from the list, what is the reasoning/example poem behind it?
Ever-Changing Whitman


Lisa, this is a really cool list, and an interesting idea, adding and subtracting from the list the more we read. I would like to emphasize instead some of the descriptors on the list that have been further characterized and affirmed after having read more of Whitman’s poems following “Song of Myself.” The poems I enjoyed most were those in “Memories of President Lincoln,” so I think that these poems, specifically, reinforce the self as “something to be celebrated” and perhaps for Whitman’s self, “a translator.” In terms of “something to be celebrated,” Whitman doesn’t celebrate his own self, but rather that of President Lincoln, sharing an interesting perspective on the stages of grief Whitman experiences upon dealing with Lincoln’s death. Therefore, readers can see how Whitman reveals aspects of his own self through focusing on the self of another. (For instance, in this context, these poems may characterize Whitman as “a friend” and “empathetic,” other forms of the self on your list.) But Whitman also serves as “a translator” through the Lincoln poems, specifically in the way Whitman portrays and copes with his sense of grief. In this way, Whitman helps translate the complicated grief readers might share into something more understandable and manageable. Ultimately, while more of Whitman’s poetry may change some of the descriptors on this list, his poems certainly solidify some of the existing ones.
One of the biggest themes I’d put up here after reading through the Whitman collection is aging. I’m particularly interested in this because we not only see a maturation of Whitman as a poet throughout the years, from his first edition of Leaves of Grass to Sands at Seventy, but we can also see a physical aging of him on the archive in his photographs. I think that ties in with the theme that your section of the class picked up in fluid/multiple/changing, too.
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