This was a topic that I wanted to talk about in my Archive Project but I ran out of space, so I thought I’d share it here:
I’ve become increasingly curious about the color of the covers of Walt Whitman’s various publications. As a poet who is anal about how his publications look, I think the use of color here is intentional and interesting, especially when it differs from the “Leaves of Grass Green” I’ve come to expect. The reading along with the archive project gave some insight to this, notably in regard to the red and green publications printed in tandem in his later years. Ed Folsom who wrote the article suggested that the red/green duality had to do with autumn and spring, but I think there’s more to it than that. What do you guys think?
I’m attaching a table I made of each publication and their cover colors.
Work | Cover Color |
Leaves of Grass (1855) | Green |
Leaves of Grass (1856) | Green |
Leaves of Grass (1860/61) | Yellowish Brown Reddish Orange Purple |
Drum Taps and Sequel | Brownish Red (rare) Dark Red |
Leaves of Grass (1871) | Green |
After All, Not To Create Only (1871) | Dark Green Dark Red |
Leaves of Grass (1871) *Second Edition* | Dark Green |
As a Strong Bird on Pinions Free (1872) | Dark Green |
1876 Printing of the Fifth Edition of Leaves of Grass | Light Brown Leather and Orange Cloth Half Cream Leather and Red, Blue, and Green Marbled Paper |
Memoranda During the War (1876) | Dark Red |
Leaves of Grass (1881) | Yellow Dark Green |
Specimen Days & Collect (1882) | Brown Leather |
November Boughs (1888) | Dark Red Dark Green |
Complete Poems & Prose (1888) | Dark Green and Marble Dark Green Brown |
Reprinting of the 1881 Edition of Leaves of Grass (1889) | Black |
Goodbye My Fancy (1891) | Green Red |
Leaves of Grass “Deathbed Edition” (1891) | Orange-Yellow |
This is such an interesting observation! Starting with the various shades of green for “Leaves of Grass” it makes sense that his first two editions of the poem are still green as they are still growing and adapting. While in the last edition (the deathbed edition) the colors are dark signifying the end of growth, death. The yellowish/green makes me think of dead grass. So I would say I somewhat agree with Folsom’s autumn/spring analogy there. However the first thing I thought of when I saw the color of “Drum Taps” was blood. “Drum Taps” was Whitman’s Civil War era and his writing was steeped with death. So it would make sense that the color of blood would be what was chosen to represent that collection. That might have been an incorrect perception of the significance of cover color but that’s what came to mind.
I like the sense of duality that Emerson noted in the red and green; even today, we can observe the opposite habits of these colors by looking up at a stoplight. I would go so far as to say that the red covers are for “Drum Taps,” “November Boughs,” and “Good-Bye My Fancy” BECAUSE “Drum Taps” focuses on the death and sacrifice of war, “November Boughs” contains content about the journey of finding old age and also mentions the war, and “Good-Bye My Fancy” again centers around age, illness, and death. These collections juxtapose the much more flowery, ethereal way Whitman spoke of death from afar in “Leaves of Grass.” By picking opposite cover colors, he’s able to further separate the way his older self and younger self thought about death and dying.
https://whitmanarchive.org/criticism/current/encyclopedia/entry_470.html
https://whitmanarchive.org/criticism/current/encyclopedia/entry_39.html
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