In class today the word ‘intense’ was brought up to describe Dickinson, as in ‘maybe she retreated from the world because it was too intense for her to experience directly.’ I feel like you can really see that intensity play out in her letters, especially in the letters we’ve read to people that are so close to her (in her intimate circle). The word ‘reverent’ kept popping up in my mind – even though Dickinson isn’t religious, the way she writes about nature and her relationships almost makes me think of worship in a way. Like in letter 496 to Sally Jenkins when she writes:
“Will the sweet child who sent me the butterflies, herself a member of the same ethereal nation, accept a rustic kiss, flavored, we trust with clover?” (496).
Or the way she describes nature in the letter to Mrs. Holland:
“My only sketch profile, of Heaven is a large, blue sky, bluer and larger than the biggest I have seen in June…” (136)
Or, from another poem to Mrs. Holland: “Indeed, this world is short, and I wish, until I tremble, to touch the ones I love before the hills are red – are gray – are white – are “born again!” If we knew how deep the crocus lay, we should never let her go.” (151).
I’m interested in what you guys think about how she relates to Whitman in this way – if his voice is similar to hers, if they look at the world in similar ways, and what differences there might be between their points of view?
This is a great post, Liz! I think of Dickinson as more of a thinker than Whitman (not that Whitman didn’t think about various things). When I imagine them in my mind for my own pleasure, I see Dickinson surrounded by stacks of books and other texts in a library, poring over them, with pencil and paper nearby to take down notes. On the other hand, I see Whitman traipsing through a poppy field, not wearing any shoes and smelling the flowers. Whitman seems to embrace nature in a way that Dickinson does not. To Whitman, nature is almost a place of refuge, something magnificent in which he finds the truest form of beauty. But Dickinson, on the other hand, considers nature as a topic for thought, like so many other intellectual topics we see her consider in her letters, such as death, love, and immortality. For example, Letter 459A written to Higginson from the last section contains a single line on nature: “Nature is a Haunted House – but Art – a House that tries to be haunted” (236). Here, Dickinson is considering nature as an intellectual topic for thought, attempting to contextualize nature as a kind of art form (and maybe an unsuccessful art form). In this way, I see Dickinson’s complex thinking on a topic that is perhaps simple to Whitman, who encouraged people to experience the physicality of nature, something the reclusive Dickinson (especially later in her life) might never do.
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