
I don’t want to admit how many times I actually watched this commercial. But if I did watch it in excess, it was for the benefit of the class. The screenshot above is from the very beginning of the ad, before the waitress approaches him and triggers the dinner writer into a non-linear exploration of how he ended up on a journey of discovery in an expensive piece of German engineering. The book next to his laptop is titled “Walt Whitman, Song of the Open Road”. A tiny nod against plagiarism?

I didn’t think much of this bit, where she asks if she can read his work until I had read a bit more Whitman. These two are alone in the diner and they make a connection over some writing. Maybe they are attracted to each other? But if Whitman thought that his writing was a touch, then Lonely Diner Man is touching Empty Diner Waitress. And after this we hit the road with Lonely Diner Man. I heard that when characters in a movie take a road trip, it’s a metaphor for a journey of discovery, that someone in the car is going to end up changed on a deep level in the end. I wonder what L.D.M will learn?

After some scenes of L.D.M zipping through the American landscape we see him sitting at home, or maybe in a hotel, but he’s behind glass and the world is out there were he can see it, but he isn’t experiencing it and his life is in chaos. I read an interview with the ad agency that did this commercial and they said it was supposed to be non-linear, which I guess is good because they put the poem in there out of order as well.

Back at the table, we see the laptop on which the Lonely Diner Man was typing. I couldn’t see exactly what he was writing, but it doesn’t look like a poem. It looks like a script to me. Maybe he’s writing his own Volvo commercial.

But once he gets back in his Volvo, look fast, there’s the Whitman book again… casually tossed on the wood grain and leather interior of Lonely Diner Man’s vehicle of discovery. We see him drive past bison, and mountains and stand in the snow and write in the car. But….

Back in the diner, L.D.M looks up at the waitress who asks him again “What are ya writin about?” Talk about non-linear. Didn’t she already ask him that? And that’s the point at which I said, “I need to watch that again”.


Amanda,
I love this close reading (watching?) of this Whitman/Volvo ad. The casual viewer (like me) misses these elements and quickly takes offense on Whitman’s behalf. However, it does appear the ad producers were trying to keep from plagiarizing without out right placing a citation somewhere in the ad (which might take away from the message they were trying to convey).
I will have to take another look at the video,
Lisa
OH MY GOD. I KNOW (this is delayed, but is still my genuine reaction). I’m actually writing my paper on this ad and how they intentionally leave out, kind of, what is the point of the poem???!!?? Like I get it, I do. Sex sells, capitalism always wins, I know. But, the degree to which the producers insult Whitman is so gross. I write about how the producers chop stanzas apart to fit their decided image of the poem, which is not at all the real image of the poem. The reject and exclude Whitman’s invitation to the reader entirely, and instead focus on the Sexy, Lonely Diner Man’s search for self-discovery. It’s interesting that you call it a non-linear story, which I think is definitely part of it. The way I see it, though, is this complete escape into this fastasy world where Sexy, Lonely Diner Man is free from Life’s burdens. And the ad shows him back in the diner, having returned, and visibly upset about it?!? Whitman doesn’t advocate from an escape from life, right?!? RIGHT?! He invites his reader/listener to JOIN him on the Road, which he literally likens to “the universe itself.” But instead of drawing on the community/investment in life in the poem, Volvo suggests that in order to FIND yourself, you must leave everything else behind and exchange an extended, nearly sensual gaze with a fox.
Thanks for posting this; you are providing an outlet where I can be more senselessly frustrated than I can in the paper.
Amanda, (and Carleigh), this is a super late comment but I’m so glad the two of you unpacked this commercial! I found the chopped-up lines particularly interesting since, of course, so much of WW’s legacy is about resisting the consumable and safe. As easy as it would be to claim that nobody is bothered by free-verse poetry anymore, Whitman’s poetry still isn’t widely read in schools, for instance, in proportion with the level of influence he’s had on the literary landscape. For the most part, we become familiar with him through his Lincoln poems and through the individual, decontextualized phrases of his that enter the lexicon or are quoted. (For instance, I had no idea “I am larger, better than I thought / I did not know I held so much goodness” was a Whitman quote until this class! I knew it from a comic on Tumblr that has since been lost to time.) Such is the phenomenon of quoting, right down to us not knowing the originators of words, even words we think are powerful. I wonder how many people had a phrase from “Song of the Open Road” stick in their memory after seeing this video, just enough to remember it forever but not enough to look up who it was who said it. Maybe not that many; who pays attention to car commercials? But maybe somebody.
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